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Introduction

Video mapping, also known as projection mapping, is a technique that involves projecting visuals onto objects or surfaces to create the illusion of transforming them into dynamic, interactive displays. This technology has been widely embraced by artists as a medium for creating immersive and visually stunning experiences. By manipulating light and images in innovative ways, artists are able to bring static objects to life, blurring the lines between the physical and digital worlds.

This thesis explores the possibilities of video mapping as a form of artistic expression. By examining the work of contemporary artists who have pushed the boundaries of this medium, we seek to understand how video mapping can be used to create compelling narratives, challenge perceptions, and inspire audiences. Through a combination of theoretical analysis and case studies, we aim to shed light on the transformative potential of video mapping in the field of visual arts.

Chapter 1: Introduction
1.1 Introduction
1.2 Background of study
1.3 Problem Statement
1.4 Objective of study
1.5 Limitation of study
1.6 Scope of study
1.7 Significance of study
1.8 Structure of the Thesis
1.9 Definition of Terms

Chapter 2: Literature Review
2.1 History of video mapping
2.2 Theoretical frameworks for video mapping
2.3 Case studies of video mapping in contemporary art
2.4 Audience perception and engagement with video mapping
2.5 Challenges and limitations of video mapping as an artistic medium
2.6 Innovations and trends in video mapping technology
2.7 Cultural and social implications of video mapping
2.8 Interdisciplinary approaches to video mapping
2.9 Ethical considerations in video mapping
2.10 Future directions for research in video mapping

Chapter 3: Research Methodology
3.1 Research design
3.2 Data collection methods
3.3 Sampling techniques
3.4 Data analysis procedures
3.5 Validity and reliability
3.6 Ethical considerations
3.7 Participant recruitment
3.8 Research limitations

Chapter 4: Discussion of Findings
4.1 Analysis of case studies
4.2 Comparison of artistic approaches
4.3 Interpretation of audience feedback
4.4 Implications for artistic practice
4.5 Recommendations for future research
4.6 Integration of theoretical frameworks
4.7 Reflections on research process
4.8 Limitations of the study

Chapter 5: Conclusion and Summary
5.1 Summary of key findings
5.2 Implications for the field of visual arts
5.3 Contributions to knowledge
5.4 Recommendations for future research
5.5 Conclusion

Thesis Overview

The thesis “Making the Invisible Visible: Artists Explore the Possibilities of Video Mapping” delves into the realm of video mapping as a medium for artistic expression. The introduction sets the stage by providing a background on video mapping, outlining the problem statement, objectives, limitations, scope, significance, structure of the thesis, and definition of terms related to the study.

Following the introduction, the literature review delves into the history of video mapping, theoretical frameworks, case studies, audience engagement, challenges, technological innovations, social implications, interdisciplinary approaches, ethical considerations, and future research directions in the field of video mapping.

The research methodology section outlines the research design, data collection methods, sampling techniques, data analysis procedures, validity, reliability, ethical considerations, participant recruitment, and research limitations.

The discussion of findings chapter analyzes case studies, compares artistic approaches, interprets audience feedback, discusses implications for artistic practice, provides recommendations for future research, integrates theoretical frameworks, reflects on the research process, and addresses study limitations.

Finally, the conclusion and summary chapter summarizes key findings, discusses implications for the visual arts field, highlights contributions to knowledge, suggests future research directions, and concludes the thesis. By exploring the possibilities of video mapping through a comprehensive analysis of contemporary artistic practices, this thesis aims to shed light on the transformative potential of this innovative medium.

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