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Table of Contents:

Chapter 1: Introduction
1.1 Background of the Study
1.2 Statement of the Problem
1.3 Objectives of the Study
1.4 Research Questions
1.5 Significance of the Study
1.6 Limitations of the Study
1.7 Scope of the Study

Chapter 2: Literature Review
2.1 Historical Development of Video Mapping
2.2 Definition of Video Mapping
2.3 Applications of Video Mapping in Modern Art
2.4 Techniques and Tools Used in Video Mapping
2.5 Case Studies of Video Mapping Projects
2.6 Theoretical Frameworks Related to Video Mapping

Chapter 3: Research Methodology
3.1 Research Design
3.2 Data Collection Methods
3.3 Data Analysis Techniques
3.4 Sampling Techniques
3.5 Ethical Considerations

Chapter 4: Discussion of Findings
4.1 Overview of Video Mapping as a Modern Art Form
4.2 Analysis of Case Studies
4.3 Comparison of Techniques and Tools Used
4.4 Implications for the Future of Video Mapping

Chapter 5: Conclusion and Summary
5.1 Summary of Findings
5.2 Conclusion
5.3 Recommendations for Future Research
5.4 Implications for Practitioners

Brief Overview:
From Static to Dynamic: Video Mapping as a Modern Art Form explores the transformation of static images and surfaces into dynamic and immersive visual experiences through the use of video mapping technology. The thesis delves into the historical development of video mapping, its applications in modern art, techniques and tools utilized, and theoretical frameworks related to the art form. Through a literature review, case studies, and research methodology, the thesis seeks to identify trends and best practices in video mapping and offer insights into its future potential. The findings and discussions in the thesis aim to contribute to the understanding and appreciation of video mapping as a contemporary art form that challenges traditional notions of space and perception.

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