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Introduction

Live visual performances have become increasingly popular in the entertainment industry, with artists using cutting-edge technology to create immersive and engaging experiences for audiences. One of the most captivating forms of live visual performance is projection mapping, a technique that uses projectors to transform objects or spaces into dynamic displays. As technology continues to advance, artists are now incorporating interactive graphics into their performances, allowing for even greater levels of audience engagement and participation.

This thesis explores the artistic evolution of live visual performances, specifically focusing on the transition from projection mapping to interactive graphics. By examining the history and techniques of both practices, this study aims to shed light on how artists are pushing the boundaries of traditional visual art forms and creating truly unique and memorable experiences for audiences.

Chapter 1: Introduction
1.1 Introduction
1.2 Background of study
1.3 Problem Statement
1.4 Objective of study
1.5 Limitation of study
1.6 Scope of study
1.7 Significance of study
1.8 Structure of the Thesis
1.9 Definition of Terms

Chapter 2: Literature Review
2.1 History of projection mapping and interactive graphics
2.2 Techniques and tools used in projection mapping and interactive graphics
2.3 Impact of projection mapping and interactive graphics on audience engagement
2.4 Case studies of successful live visual performances
2.5 Challenges and limitations of using projection mapping and interactive graphics
2.6 Future trends and advancements in live visual performances
2.7 Comparison between traditional visual art forms and live visual performances
2.8 The role of technology in shaping the artistic evolution of live visual performances
2.9 Ethical considerations in the use of projection mapping and interactive graphics
2.10 The psychology of audience perception in live visual performances

Chapter 3: Research Methodology
3.1 Research approach and design
3.2 Data collection methods
3.3 Sampling techniques
3.4 Data analysis procedures
3.5 Ethical considerations
3.6 Research limitations
3.7 Reliability and validity of the research findings
3.8 Research implications and recommendations

Chapter 4: Discussion of Findings
4.1 Analysis of the history and techniques of projection mapping
4.2 Evaluation of the impact of interactive graphics on audience engagement
4.3 Comparison of traditional visual art forms with live visual performances
4.4 Examination of case studies and successful examples of live visual performances
4.5 Discussion of challenges and limitations faced by artists using projection mapping and interactive graphics
4.6 Exploration of future trends and advancements in live visual performances
4.7 Implications of the research findings for the field of visual arts
4.8 Recommendations for artists and practitioners in the industry

Chapter 5: Conclusion and Summary
5.1 Summary of key findings
5.2 Conclusion
5.3 Recommendations for future research
5.4 Final thoughts and reflections on the artistic evolution of live visual performances

Thesis Overview

From Projection Mapping to Interactive Graphics: The Artistic Evolution of Live Visual Performances

The entertainment industry has seen a remarkable evolution in live visual performances over the years, with artists constantly seeking new and innovative ways to engage audiences and create unforgettable experiences. One of the most groundbreaking developments in this field has been the transition from traditional projection mapping techniques to the incorporation of interactive graphics, allowing for greater levels of audience participation and immersion.

This thesis aims to explore the artistic evolution of live visual performances, focusing specifically on the shift from projection mapping to interactive graphics. By delving into the history, techniques, and impact of both practices, this study seeks to provide a comprehensive overview of how artists are harnessing technology to push the boundaries of visual art forms and create truly unforgettable experiences for audiences.

Through a detailed examination of case studies, research methodologies, and theoretical frameworks, this thesis will analyze the evolution of live visual performances, providing insights into the challenges, opportunities, and implications of using projection mapping and interactive graphics in artistic practice. Ultimately, this study aims to contribute to the growing body of knowledge on live visual performances and inspire further innovation in the field of visual arts.

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