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Introduction:

In recent years, guerrilla projection mapping on building facades has emerged as a unique form of site-specific art that uses digital technology to transform urban landscapes. This innovative art form involves projecting images, videos, and animations onto the surfaces of buildings in public spaces, creating immersive and engaging experiences for viewers. Guerrilla projection mapping blurs the lines between art, architecture, and technology, challenging traditional notions of artistic expression and public space. This thesis aims to explore the impact and potential of guerrilla projection mapping as a form of site-specific art, focusing on its aesthetic, social, and political dimensions.

1.1 Introduction
1.2 Background of study
1.3 Problem Statement
1.4 Objective of study
1.5 Limitation of study
1.6 Scope of study
1.7 Significance of study
1.8 Structure of the Thesis
1.9 Definition of terms

Chapter Two: Literature Review
2.1 History of projection mapping
2.2 Site-specific art and public space
2.3 Technological advancements in projection mapping
2.4 Guerrilla art and activism
2.5 Cultural and social implications of projection mapping
2.6 Case studies of guerrilla projection mapping projects
2.7 Audience perception and engagement
2.8 Ethical considerations in guerrilla projection mapping
2.9 Economic implications of projection mapping
2.10 Future trends in guerrilla projection mapping

Chapter Three: Research Methodology
3.1 Research design
3.2 Data collection methods
3.3 Sampling techniques
3.4 Data analysis procedures
3.5 Ethical considerations
3.6 Participant recruitment
3.7 Instrumentation
3.8 Data validation techniques

Chapter Four: Discussion of Findings
4.1 Aesthetic dimensions of guerrilla projection mapping
4.2 Social impact of projection mapping on public spaces
4.3 Political implications of guerrilla projection mapping
4.4 Audience engagement and interaction
4.5 Technological challenges and advancements
4.6 Case study analysis
4.7 Ethical considerations in guerrilla projection mapping
4.8 Economic sustainability of projection mapping projects

Chapter Five: Conclusion and Summary
5.1 Summary of key findings
5.2 Implications for the field of art and technology
5.3 Recommendations for future research
5.4 Conclusion and final remarks

Thesis Overview:

Guerrilla projection mapping on building facades is a cutting-edge form of site-specific art that challenges traditional boundaries of artistic expression and public space. This thesis aims to explore the impact and potential of guerrilla projection mapping as a unique and engaging art form that blurs the lines between art, architecture, and technology. Through a thorough literature review, research methodology, and discussion of findings, this thesis seeks to analyze the aesthetic, social, and political dimensions of guerrilla projection mapping, as well as its implications for urban landscapes and public engagement. With a focus on case studies, audience perception, and ethical considerations, this thesis aims to provide a comprehensive understanding of guerrilla projection mapping and its role in shaping contemporary art practices.

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