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Introduction

Music sampling is a widely used practice in the music industry where artists incorporate portions of existing recordings into new sound productions. With the rise of digital technology and the proliferation of online platforms for music distribution, copyright issues related to sampling have become increasingly complex. The balance between the protection of copyright holders’ rights and the creative freedom of artists to use samples in their work has been a contentious issue in the music industry.

This thesis aims to explore the various challenges and opportunities presented by the intersection of copyright law and digital sampling in online music. By examining the legal framework surrounding copyright and sampling, as well as current practices and trends in the music industry, this study seeks to provide insights into how copyright can be balanced with the creative use of sampling in the digital age.

Chapter 1: Introduction
1.1 Introduction
1.2 Background of study
1.3 Problem Statement
1.4 Objective of study
1.5 Limitation of study
1.6 Scope of study
1.7 Significance of study
1.8 Structure of the Thesis
1.9 Definition of terms

Chapter 2: Literature Review
2.1 History of copyright law
2.2 Evolution of digital sampling in music
2.3 Legal cases and precedents related to sampling
2.4 Current practices and trends in music sampling
2.5 Ethical considerations in sampling
2.6 Impact of copyright law on creativity
2.7 International perspectives on copyright and sampling
2.8 Fair use and transformative works in music sampling
2.9 Licensing and clearance processes for samples
2.10 Challenges and opportunities in balancing copyright and digital sampling

Chapter 3: Research Methodology
3.1 Research design
3.2 Data collection methods
3.3 Sampling techniques
3.4 Data analysis methods
3.5 Ethical considerations
3.6 Research limitations
3.7 Sampling criteria
3.8 Sample size determination

Chapter 4: Discussion of Findings
4.1 Analysis of legal framework for copyright and sampling
4.2 Examination of current practices in the music industry
4.3 Implications of copyright law on sampling creativity
4.4 Case studies of successful sampling projects
4.5 Challenges faced by artists in clearing samples
4.6 Strategies for navigating copyright issues in sampling
4.7 Recommendations for policymakers and industry stakeholders
4.8 Future trends in copyright and sampling

Chapter 5: Conclusion and Summary
In conclusion, this thesis aims to contribute to the ongoing dialogue on how copyright and digital sampling can be balanced in online music. By examining the legal, ethical, and practical implications of sampling in the digital age, this study seeks to provide valuable insights for policymakers, artists, and industry professionals navigating the complexities of copyright in music production.

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