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Introduction

Photobooks have become an increasingly popular medium for photographers to showcase their work and tell stories through visual narratives. In recent years, there has been a growing interest in vernacular and snapshot photography culture within the context of photobooks. This thesis aims to explore the significance of vernacular and snapshot photography culture in the creation and consumption of photobooks.

Chapter 1: Introduction
1.1 Introduction
1.2 Background of study
1.3 Problem Statement
1.4 Objective of study
1.5 Limitation of study
1.6 Scope of study
1.7 Significance of study
1.8 Structure of the Thesis
1.9 Definition of terms

Chapter 2: Literature Review
2.1 Evolution of Photobooks
2.2 Vernacular Photography Culture
2.3 Snapshot Photography Culture
2.4 Photobooks and Narrative
2.5 Photobooks and Memory
2.6 DIY Photobooks
2.7 Photobooks and Social Media
2.8 Contemporary Trends in Photobooks
2.9 Global Influence of Photobooks
2.10 Future Directions in Photobooks

Chapter 3: Research Methodology
3.1 Research Design
3.2 Data Collection Methods
3.3 Sampling Techniques
3.4 Data Analysis
3.5 Ethical Considerations
3.6 Pilot Study
3.7 Case Studies
3.8 Interviews and Surveys

Chapter 4: Discussion of Findings
4.1 Analysis of Vernacular Photography in Photobooks
4.2 Impact of Snapshot Photography Culture on Photobooks
4.3 Themes and Motifs in Photobooks
4.4 Audience Reception and Interpretation
4.5 Collaboration and Co-creation in Photobooks
4.6 Materiality and Design in Photobooks
4.7 Representation and Identity in Photobooks
4.8 Commercialization and Distribution of Photobooks

Chapter 5: Conclusion and Summary
In conclusion, this thesis provides a comprehensive exploration of the relationship between vernacular and snapshot photography culture in the context of photobooks. By delving into the history, theory, and practice of photobooks, this study sheds light on the significance of these cultural phenomena in shaping contemporary visual storytelling practices. The findings of this research contribute to our understanding of the role of vernacular and snapshot photography in the creation and consumption of photobooks, and offer insights into future directions in this dynamic field.

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